It's been a busy year for Rachelle and I, 2008 I mean. So far 2009 has been pretty chill, for me at least. But with the end of the year comes the eventual "best of" lists. Well, I can't give a best of list because I am only getting back into the search for good music. For the past 2 years I had pretty much given up hope that good music existed. If you listen to the radio, you know what I mean. This list will be a list of what I believe to be gems waiting for others to discover. Trust me, a ray of light still exists, hope still exists among the Britney comebacks and relentless Fall Out Boy releases. Hope came and found me this time, through my good buddy
Pandora.com. A band gave me hope and made me want to know what else I had been missing, and they begin our list:
The Black Keys - Attack & Release

The blues rock duo of Dan Auerbach and Patrick Carney out of Akron give a new reason to root for the Ohio rock scene. These guys are by no means new kids on the block, with 4 albums under their belt and signed to a major label. Their latest album, "Attack & Release", was a collaboration with Ike Turner (before his death) and acclaimed hip hop producer
Brian 'Danger Mouse' Burton. The release is definitely a departure from their earlier work, all of which is highly recommended. Some people have been complaning that this album has been overproduced and sounded too different. I disagree. Their early work is great, and very raw. I think Danger Mouse has done a admirable job polishing this album while keeping them who they are and not injecting his own hip hop specialties. The album still holds some blunt weapons like "Strange Times" and "I Got Mine" which slap you on the face and make stand to attention like previous albums. Also some slower, powerful songs like "Lies" and "Psychotic Girl" with it's hypnotic background vocals and beat. They make me want to be a better man. Take a listen:
Mount Eerie - Lost Wisdom

This list is meant to be a sampling of albums made this year that I have discovered. Some I know more than others, so if my descriptions aren't as long as they should be it's because they are newer to me to. This is one of them. Mount Eerie is Phil Elverum, formerly of The Microphones. About this change Elverum said: "Mount Eerie is a new project. The Microphones was completed, or at least at a good stopping point. I did it because I am ready for new things. I am new." I respect that. Knowing where to end something is often harder than starting something new. When I first heard the beginning of "Voice In Headphones" I figured it was just another Eliot Smith wannabe then from no where came these heavenly harmonies of Julie Doiron and Fren Squire. The album is short, just over 20 minutes but worth a listen.
The Mars Volta - The Bedlam In Goliath

Those who know me are well aware of my man crush for TMV, so this pick will not be a surprise. The Mars Volta bless us with their 4th album post At The Drive-In. Their prog-rock sound is, according to the band itself, like a "donkey choking a waffle". I couldn't fathom a better description. The most uncertain part of this album was the inclusion of a new drummer, Thomas Pridgen. TMV have a tendency to musically hijack alien spacecrafts during their songs and soar out into the universe while the listener eagerly waits for them to return, maybe. Keeping the beat is also what was able to keep them grounded. How would Pridgen do? The fears were unfounded, as Pridgen executes his instrument with a power TMV has yet to see. If you are interested, the album was plagued with much "bad luck" as well. While in Jerusalem, Omar bought an archaic oujia board that the band dubbed "The Soothsayer". After much hardship, one of which was the former drummer quiting, Omar broke the board and buried it in an undisclosed location to lift the curse they were afflicted by. Dope. For more read
here. The band got mixed reviews with "Amputecture", and many have said this album is moving back toward "Frances The Mute". That may be true, but I hope they aren't getting too much label pressure to reign it in. TMV's job, as far as I am concerned, is to always take that step too far. Wherever the line is drawn, I sleep well at night knowing they can't even see the line from where they are. They're cruising Alpha Centauri, loving green women and leaving them.
This is getting long. Here are some others
Fleet Foxes - Fleet Foxes

The Seattle quintet have gotten a lot of exposure for their first album. At the beginning of the year the group was signed to Sub Pop after their Myspace page had 250,000 plays in 2 months. While thier folk-pop stylings are good, it's hard to truly take them out of the indie scene that has helped rise them to the prominent position they are now enjoying. They're a part of a larger movement that they owe a lot to and fans who have spread the word about them.
Shugo Tokumaru - Exit

I don't think you're prepared for Shugo. Listening to "Exit" is like having elves crap a rainbow in your brain. You may not know what's happening, but you find yourself staringing at a pot of gold and all of a sudden you don't care anymore. Something like 50 different instruments were used in the making of this album, many by Shugo himself. Considering all those instruments, even banging on pots and pans, the production of this album is great. The stand out track "Parachute" is a sunny little pop ditty and all the tracks are so Japanese. I don't mean they have Japanese lyrics, I mean they
are Japanese. The same way that "Katamari Damacy" couldn't be anything other than Japanese. It's great.
Why? - Alopecia

I love nerd rock. Well, these guys are raps answer to nerd rock. They're an interesting blend of indie rock and rap with lyrics that might make you laugh or cringe. This album isn't for everyone because of that. I did like how itunes put it when they said: "Alopecia... displays both crypticness and honesty, intellectualism and vulgarity in equal measure, challenging and placating its audience in the same drawn-out, undefined, nasally breath". The first song I heard off this album was perhaps the best, "Fatalist Palmistry". It begins with: "I sleep on my back because it's good for the spine and coffin rehearsal" to which I let out an unexpected laugh. Rap is a genre where artists take themselves far too seriously, self-agrandizement is expected. This album is a breath of fresh air in that respect.
Hauschka - Ferndorf

I really can't say it better than David Abravanel over at CokeMachineGlow:
"Ferndorf is a record of understatement and introspection, of lightheartedness and melancholy nostalgia. Named after the small German town where Bertelmann grew up, it’s the soundtrack to the adage that you can take the boy out of the town, but you know the rest. The tear in
Ferndorf is between Bertelmann’s lovely memories, of swimming holes and blue bicycles and pretty girls next door and nature walks, and the reality that he’s a budding international musician whose success likely would not have been possible had he not left this pristine setting. Just listen to those weeping chord changes on “Heimat” and try not to get choked up remembering your own childhood".
This took a lot longer than I expected and I didn't even get to the new Sigur Ros and many others. Maybe another time.